Modern Old Testament interpretation arose in an intellectual environment marked by interest in specific historical contexts of the Bible, attention to its literary matters, and, most significantly, the suspension of belief. A vast array of scholars contributed to the large, developing complex of ideas and trends that now serves as the foundation of contemporary discussions on interpretation. In A Brief History of Old Testament Criticism, Mark Gignilliat brings representative figures--such as Baruch Spinoza, W.M.L. de Wette, Julius Wellhausen, Hermann Gunkel, and others--and their theories together to serve as windows into the critical trends of Old Testament interpretation in the modern period. This concise overview is ideal for classroom use. It lays a foundation and provides a working knowledge of the major critical interpreters of the Old Testament, their approaches to the Bible, and the philosophical background of their positions. Each chapter concludes with a section For Further Reading, directing students to additional resources on specific theologians and theories.

First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations.

Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno.

Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert.

Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.

Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance to the local gods, the mysteries emphasized an inwardness and privacy of worship within a closed band of initiates.

In this book, Marvin W. Meyer explores the sacrifices and prayers, the public celebrations and secret ceremonies, the theatrical performances and literary works, the gods and goddesses that were a part of the mystery religions of Greece in the seventh century B.C. to the Judaism and Christianity of the Roman world of the seventh century A.D.

Much of the Old Testament seems strange to contemporary readers. However, as we begin to understand how ancient people viewed the world, the Old Testament becomes more clearly a book that stands within its ancient context as it also speaks against it. John Walton provides here a thoughtful introduction to the conceptual world of the ancient Near East.

Walton surveys the literature of the ancient Near East and introduces the reader to a variety of beliefs about God, religion, and the world. In helpful sidebars, he provides examples of how such studies can bring insight to the interpretation of specific Old Testament passages. Students and pastors who want to deepen their understanding of the Old Testament will find this a helpful and instructive study.

Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.