Miscellaneous Living
Film A Very Short Introduction
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Flourishing Faith A Baptist Primer
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Garbage Eater Poems
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Generosity Gap
What does it mean to be generous? And how is generosity changing?
The Generosity Gap unveils new research among U.S. Christians and pastors on their attitudes, perceptions and habits related to generosity. Commissioned by Thrivent Financial, The Generosity Gap explores:
- How pastors and Christians agree (and don’t) on what it means to be generous
- Generational differences in how people perceive and practice generosity
- How financial goals and motivations impact generous habits
- Giving methods and invitations that strengthen generosity
- How people express generosity through a variety of habits, including volunteerism, hospitality, gifts and emotional support
The Generosity Gap will help you understand today, strategize for the future and dream up fresh ideas for how to connect Christians’ heart, mind and soul with their potential giving strength.
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George Herbert the Country the Country Parson & the Temple
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GETTING THE BLUES
Getting the Blues will resonate with all readers interested in Christianity and culture. In the end they will emerge with a greater understanding of the value of "theology in a minor key"--a theology that embraces suffering as well as joy.
EXCERPT
This book attempts a theology in a minor key, a theology that lingers, however uncomfortably, over Good Friday. It takes its cue from the blues, harmonizing narratives of Scripture with narratives of the Mississippi Delta, the land of cotton fields and Cyprus swamps and the moaning slide guitar. This is not a book by a musician, however, but by a theologian. And so I offer a theological interpretation of the blues. Cambridge theologian Jeremy Begbie has argued for music's intrinsic ability to teach theology. As an improvisation on Begbie's thesis, I take the blues to be intrinsically suited to teach a particular theology, a theology in a minor key. This is not to suggest that a theology in a minor key, or the blues for that matter, utterly sounds out despair like the torrents of a spinning hurricane. A theology in a minor key is no mere existential scream. In fact, a theology in a minor key sounds a rather hopeful melody. Good Friday yearns for Easter, and eventually Easter comes. Blues singers, even when groaning of the worst of times, know to cry out for mercy because they know that, despite appearances, Sunday's coming. . . . The blues, like the writings of Flannery O'Connor, need not mention him [Christ] in every line, or in every song, but he haunts the music just the same. At the end of the day, he serves as the resolution to the conflict churning throughout the blues, the conflict that keeps the music surging like the floodwaters of the Mississippi River.
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Gilead
A NEW YORK TIMES BESTSELLER- OPRAH'S BOOK CLUB PICK - WINNER OF THE PULITZER PRIZE FOR FICTION - NATIONAL BOOK CRITICS CIRCLE AWARD WINNER- A NEW YORK TIMES NOTABLE BOOK - MORE THAN 1 MILLION COPIES SOLD
"Quietly powerful [and] moving." O, The Oprah Magazine (recommended reading) Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part. In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War," then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle. Reverend Ames writes to his son about the tension between his father--an ardent pacifist--and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend's wayward son. This is also the tale of another remarkable vision--not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten.- Please log in to review this product
Glimpses of the New Creation Worship & the Formative Power of the Arts
How do the arts in worship form individuals and communities?
Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world.
Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity--that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit's power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.- Please log in to review this product
Godric
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Good Earth Reissue
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